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Week 19

20/07/23 Back with the reviews! I will be discussing some of the most anticipated Hip-Hop projects of the last few months - will be a longer edition as usual to make up for the hiatus. JPEGMAFIA & Danny Brown - SCARING THE HOES The hoes are petrified from this one. Eccentric, atmospheric, chaotic and intense are just a few adjectives I would use to describe this album, and this does not even cover an ounce of what this is album is like to experience. As with most of JPEGMAFIA's music, the standout is the production. The way Peggy crafts a sample around rich instrumentation is like no other. If all the instruments and sounds he uses per song were to be separated there is no way anyone would think that they worked together. Yet, he makes it work. Moreover, it sounds fantastic. This is one of the most sonically impressive albums to be released this decade. Not only because of how hectically beautiful the songs are, but also because of how listenable they are. Unlike other experime...

Week 18

30/01/23 A mix of old and new in this edition - been a slow month for new releases. Rome Streetz - KISS THE RING Griselda just do not miss. My latest discovery from the underground hip-hop label comes by way of Rome Streetz. This album feels like the 1999 (Joey Badass) of coke rap. Not in regards to its significance, but for the flows, rhyming, and bars. The dude just reminds me of old Joey, and the quality of this project reminds me of what Joey was doing on 1999. Rome just delivers punchline after punchline for most of these tracks, especially the first few where he hits you straight out of the gate. The first few tracks set the tone of the album with multisyllabic rhymes intertwined with bars to knock you off your feet. The production is actually fairly accessible in the boom-bap sense. It's not too dark and grimy, with Conductor Williams demonstrating a masterclass in sample chopping and looping. Even with 17 songs, all the beats sound distinct and different in their own right,...

Week 17

27/12/22 Nas - King's Disease III The man is nearly 50 and still putting out music at this standard. It's honestly unfair to the rest of the game. This is the third installment of the series and possibly the best. The album starts off with a statement from Nas that perfectly got me in the mood for the record, that being: "They argue KD 1, KD 2, or Magic was harder when...KD 3 go harder then all of them". There is a debate, but the level of hunger and tenacity Nas shows here just gets you hyped up and anticipating another quality record. This is what we get. Nas is spitting pure wisdom on this project. Advising the youth of today on how to survive in the streets, to how to maintain a level of quality deep in to a rap career, and everything in between. Everything Nas says, you just believe. This guy has been down these roads and knows what he is talking about. It's all sincere and honest. He hasn't lost his storytelling or rhyming ability, either. Rapping from t...

Week 16

02/11/22 Freddie Gibbs - $oul $old $eparately Freddie really did it again. SSS has a little bit of everything, from commercial to classic to unseen Freddie. The album does start off a little bit disjointed. I would say that the first five tracks sway between a few styles that Freddie is trying out. 'Pain & Strife' and 'Too Much' play with a trap-banger, commercial mood that sounds good, but are amongst the weakest cuts on the album. These are intermixed with songs containing an Alchemist beat and another with a smooth R&B feel. It seems like the album hasn't really figured itself out at this point. However, from track six onwards is near-perfection. Freddie really leans in to the concept of the album, that being the feeling of being in a lift of a luxury hotel. Most of the beats from here on are smooth and atmospheric, all in their own ways. The huge variety of producers used does not subtract from the coherence of these songs with the album theme. I loved t...

Week 15

26/09/22 Boldy James & The Alchemist - Bo Jackson It's been a fairly slow month in terms of music, so there is a couple of older records that I will be reviewing in this edition. I'm happy to kick it off with arguably my favourite rapper right now: Boldy James. 'Bo Jackson' is Boldy's second collaborative album with The Alchemist, who is creeping up the list of my favourite producers. These two are a match made in heaven, with this album exemplifying that even more than their excellent debut collab: 'The Price Of Tea In China'. Al's signature production merges seamlessly with Boldy's often laid-back flow. Al employs the slight distortion in the snare, mixing that with a beautiful - low bpm - piano or guitar riff to produce beats that sound like no other. Beats with a distinct sound yet just enough variation for each to hit in a different way. To be cynical, some of the more subpar songs on this record are a result of the beat not standing out eno...

Week 14

31/08/2022 JID - The Forever Story Damn, this album is so good. The highly anticipated album from rapper, singer (?) and flow-extraordinaire: JID is finally here and what a rollercoaster it is. I feel like I need to start with the obvious, and that's JID's ridiculous rapping ability. I don't think anyone in this generation of hip hop can flow and rhyme like JID can. The guy finds pockets in beats that weren't designed to have that many pockets. His multi-syllabic schemes stretching across multiple bars are a joy to listen to and dissect. Stank faces all round. This was something I expected a lot of coming in to this album. What I did not expect was the amount of vulnerability and openness from JID in the subject matter. He touches on his upbringing, playing football in college and relationships with family and women. I learnt so much about JID's life and him as a person through listening to this album. I love when an album has multiple layers, and that's what JI...

Week 13

29/07/2022 DJ Premier - Hip Hop 50: Vol.1  What a treat this EP is. 5 songs of pure class. The legendary producer DJ Premier collaborates with a whole host of equally legendary rappers to commemorate 50 years of hip hop, and he delivers on the pressure that this ensues. The beats sound like they are plucked straight from the 90s but with a slight modern twinge to avoid sounding dated. Some parts are even Alchemist-esque, which if you can execute it, is a fantastic choice. With the production being this good, the rapping needs to be on par or else it may as well just be a beat tape. Well, Preemo ensures that the quality remains high by picking some of the hardest MCs past and present to feature on this tape. Joey Bada$$ kicks things off with his own solo track, a real testament to his abilities whilst among so many legends. He employs this luxurious flow over a similarly soothing beat. And it has never been in doubt that Joey has bars. He delivers. Speaking of bars, the only other s...